2016-04-30

Załączniki:
BETWEEN NATIONAL IDENTITY AND A COMMUNITY OF CULTURES.pdf
Contents.pdf
Kamila Stępień-Kutera, Introduction. Cultural distinctness and cohesion.pdf
Irena Poniatowska, La nationalité comme valeur chez Chopin dans les oeuvres de la période parisienne.pdf
Irena Poniatowska, The quality of nationality in Chopin’s works of the Paris period.pdf
Jean-Jacques Eigeldinger, Tellefsen dans les pas de Chopin – entre affinités, dévouement et stratégie.pdf
Ingrid Loe Dalaker, Thomas Tellefsen in the musical culture of Paris – a representative of juste milieu ideals.pdf
Marie-Paule Rambeau, Joseph d’Ortigue – le regard d’un biographe de Chopin méconnu.pdf
Mateusz Chmurski, « Affinités électives » F. Chopin de Liszt et les récits de la modernité – communautés imaginées, nations culturelles, historiographie artistique.pdf
Maciej Janicki, Listening to Paris Chopin – between the soirées intimes and the modern soundscape.pdf
Daniel Winfree Papuga, Instead of a letter, I am sending you Tellefsen.pdf
Dagmara Łopatowska-Romsvik, The field of traditional music in higher education courses in Norway.pdf
Hans Olav Gorset, Handwritten Norwegian music books – documentation and inspiration.pdf
Ewa Dahlig-Turek, Polish rhythms in Scandinavian folk dances.pdf
Hans-Hinrich Thedens, Norwegian couple dances from east to west.pdf
Tomasz Nowak, The technique of mazurka dances in the gentry-bourgeois and peasant environments.pdf
Zofia Chechlińska, Polish national music – notion, function and musical means.pdf
Harald Herresthal, Combating foreign influence and searching for a Norwegian identity in music.pdf
Ingrid Loe Dalaker, Seeking national identity through music – the idea of national music in nineteenth-century Poland and Norway.pdf
Irena Poniatowska, The pressure of national themes and domestic literature in Polish opera of the second half of the nineteenth century.pdf
Agnieszka Chwiłek, The significance of the instrumental output of Ignacy Feliks Dobrzyński for the forging of a national style in nineteenth-century Polish music.pdf
Markéta Štefková, National and supranational elements in the piano works by Edvard Grieg.pdf
Wojciech Marcin Stępień, The mythological and supernatural elements in Edvard Grieg’s music.pdf
Beryl Foster, ‘That glorious language […] the most beautiful music!’ Edvard Grieg’s relationship with landsmål.pdf
Grzegorz Michalski, A silent friendship.pdf
Eva Maria Jensen, Reception of Witold Lutosławski’s music in Denmark over the last sixty years.pdf
Harald Herresthal, Musique concrète – ‘this is obviously not music’ – Arne Nordheim’s route from Aftonland to Response.pdf
Marcin Krajewski, Lutosławski–Nordheim – two stylistic models and their interrelations.pdf.pdf
Ola Nordal, The sound sculpture Ode to Light – Arne Nordheim’s first project at the Studio Eksperymentalne.pdf
Asbjørn Blokkum Flø, Time, timbre and text – techniques and artistic concepts in Arne Nordheim’s electronic music.pdf
Bohdan Dziemidok, In the age of globalisation, can music articulate and consolidate national identity.pdf
Contributors.pdf

wróć
  • EEA Grants
  • Ministerstwo Kultury i Dziedzictwa Narodowego
  • Narodowy Instytut Fryderyka Chopina

Finansowane z funduszy EOG, pochodzących z Islandii, Liechtensteinu i Norwegii, oraz środków krajowych.